Bob and Roberta Smith’s Epstein Archive Gallery
Bob has been up at the gallery this week to start his work painting the Archive Gallery on Floor 1 of the Garman Ryan Collection. Inspired by the Festival of Britain, the room is very colourful and has a distinct 1950s feel, which sits well with the time period of the Epstein Archive. See the below film for an explanation of the project from the man himself…
Life after The Life of the Mind
The danger after the success of The Life of the Mind exhibition was always that the Epstein Archive would quietly slip back into obscurity in the basement of the gallery. Not so. We are now at the start of the next exciting installment of the gallery’s relationship with Bob and Roberta Smith. We were always aware of the need for a legacy for the New Ways of Curating project and the Archive Gallery on Floor 1 of the gallery is the best place to cement the outcomes of the project into the fabric of the building.
So, what next? Bob and Roberta Smith’s Epstein Archive Gallery is now closed for the summer and will open again in mid-September, completely transformed. The new archive gallery will be the antithesis of the White Cube, extremely colourful and rammed to the gills with material from the archive, art, film and interactives. The room itself will be transformed into an artwork as Bob will be painting directly onto the walls. The gallery’s technicians are making new display cases for the space and Bob has chosen a colour scheme inspired by the 1951 Festival of Britain. The FoB was a huge exhibition, much like a World’s Fair, designed to celebrate everything good about Britain and also raise the nation’s morale as wartime restrictions, such as rationing, continued into a new decade. An anniversary exhibition of FoB is currently on at the Southbank Centre – I’d really recommend it if you’re in London.
This week saw the gutting of the old room, removing all of Bob’s works – though a large chunk of it will be included in the new room. All of the paint has had to be specially mixed as 1950s colours are obviously not the public’s first choice for their living rooms – their loss. The room will be painted next week ready for Bob to paint directly onto the walls.
While the gallery is closed, you can still look into it, so have a look next time you’re there – you never know, there may be an artist at work! I will be updating the blog at each stage of the process, so check back to see how we’re getting on.
The family book collection
The book collection in the Epstein Archive have been sitting on a few shelves in the basement of the gallery for a number of years. A few researchers have studied these books, but it is only now that I have come to catalogue them and some real discoveries have come to light. The books themselves were taken out of the house that Kathleen Garman lived in until her death in 1979. The collection covers 4 generations of the Garman and Garman-Epstein families, dating back to Kathleen’s parents in Wednesbury, books belonging to Theodore Garman and to those given to Kathleen by her grandchildren, Anne and Annabel Freud.
Amongst the collection we have a large selection of Shakespeare, a 1st edition of Bleak House by Charles Dickens and one or two James Bond books for a bit of balance. The books themselves are fascinating as they reveal the reading habits of the family. However, what is really interesting are the inscriptions in many of the books – these little fragments of writing give a unique insight into the world of the family. I would like to share just a few examples of the discoveries that I’ve made today – things are appearing all the time, far too many to write about here, but 2 inscriptions that were found this morning are particularly interesting – not in any great revelatory way, just in their insight into normal life that they give us.
From Esther Garman to her mother Kathleen, inscribed in Dante’s La Divina Comedia.
This book was particularly unusual as it contains some pressed flowers, which are very fragile. We have no may of knowing if the flowers were part of the gift from Esther to her mother, or if they were added later, but this was a really nice find and the flowers are certainly very old indeed. It is always slightly special when we find something new relating to Esther, as Bob and Roberta Smith have taken such an interest in her and her story when creating works of art inspired by the archive. The exciting thing is that there is more information on her in this archive, waiting to be discovered.
From Ralph Gustafson and ‘Ian’ to Sally Ryan, inscribed in Dostoyevsky’s The Brothers Karamazov.
This is a particuarly great inscription as you can decipher a surprising amount of information from it. Sally Ryan was a friend of Kathleen Garman and she helped create the Garman Ryan Collection that the gallery houses. A few of the books in the archive were Sally’s that may have found their way into Kathleen’s bookshelves through Sally’s will. The above inscription reads:
“To Tammy Ryan
a rummy prize winner, from the defeated
Ralph
Ian
October 22, 1938
12.35am
Silvermine, Conn.”
Ralph is Ralph Gustafson, a poet and friend of Sally Ryan, Ian is unknown and Tammy was Sally’s nickname. Also included in the picture is a feather that was inside the book. What we can gather from this is that the book was a prize given to Sally after she had beaten Ralph and Ian at rummy, a card game. The time on the inscription suggests that it was written after an evening’s cards had ended, with Sally emerging victorious with her copy of Dostoyevsky as her prize. This book has made the remarkable trip from Silvermine, Connecticut, to Walsall and all because Sally Ryan was a good at cards.
The Garman Ryan Collection and the Epstein Archive
A big few weeks for the Epstein Archive as we have been installing framed items from the archive in amongst the Garman Ryan Collcetion. We’ve done this to give the collection a bit more context and to embed the archive further into the gallery as a whole. In total, we have 10 items from the archive displayed alongside relevant works of art from the collection. What sparked this off was a fantastic little note in the archive from Sally Ryan to Kathleen Garman. Sally had just bought a Bonnard oil painting, La Seine a Vernon (The Seine at Vernon), and gave it to Kathleen as a gift, along with the hand delivered note that we still hold today. It was with this in mind that Jo Digger and myself sought out 9 more items from the archive that could complement the Garman Ryan Collection and we are really happy with the results.
So, from today – you’ll notice some cupboards on the walls on floors 1 and 2 of the gallery. The archive items are behind cupboard doors to give visitors a bit of the same feeling of discovery that I’ve had over the past 12 months. From a conservation point of view, the cupboards are great for protecting the material from light damage when they aren’t being viewed.
We also have a new introductory leaflet to the Garman Ryan Collection that reflects the inclusion of the Epstein Archive and shows the locations of all of the cupboards.
So, come along and let us know what you think…
My Russian Binocular rage and Eppy Daddy Battle Bot
It’s been a while since my last Epstein Archive entry, so I thought it best to give you a little update. As you may have seen, I had a ‘moment’ the other week (which can be viewed here) but I’m ok now. Fully calmed down. That whole thing started quite a few months ago when Bob and I were going through a load of miscellaneous items in the archive and some of it was, frankly, absolute rubbish. I know the archivist is supposed to remain impartial about the subjective value of any item, but if anyone requests a research visit to view Beth Lipkin’s hoover warranty, I will eat my shoes.
Anyway, I was having a bit of a moan to Bob about it all and one particular item, an advert for Russian binoculars, was, I thought, a totally pointless thing to keep. From then on, ‘the Russian binoculars’ became a bit of a buzz word for anything rubbish, or anything that irritated me – not that I’m a particularly irritable person or anything. And, eventually, the film was born.
But now, after some time has passed, the advert for Russian binoculars has taken on a whole new meaning – I wouldn’t dream of speaking ill of this little newspaper clipping now. It has relevance because we gave it relevance. I think that’s one of the most interesting things about having an artist involved in a collection – really unexpected connections and items can come to the fore.
So, to Bob’s residency. I spoke to Bob a few days ago and his latest creation, Eppy Daddy Battle Bot, is being built as we speak in Bob’s new studio is Ramsgate. Eppy Daddy Battle Bot is a reimagining of Jacob Epstein as a 5 metre high 1950s style robot. We’ll collect him just before the residency and then you will see the final stages of Eppy Daddy’s creation in the Arists Studio during the last two weeks of September.
If Eppy Daddy were to speak – what would he say? Answers on a postcard.
Get your very own FREE Bob and Roberta Smith poster!!!
That’s right. You too could be the proud owner of an exclusive Bob and Roberta Smith “See Esther Walsall’s Mona Lisa” poster. These are completely free but are in limited supply, so act fast! Just ask for your poster at the front desk at The New Art Gallery Walsall. Why not see Esther while you are here?
The lucky first recipient of the poster was Mr. I. Ioannou of Walsall. “This is the best thing I’ve ever seen – thank you Bob and Roberta Smith!” said Mr. Ioannou.
Bob and Roberta Smith’s May Residency
It’s been quite a month for the Epstein Archive. Bob was in residency for most of May and made the largest work for the project to date. See Esther Walsall’s Mona Lisa comprises of 4 large boards that tell the story of Esther Garman, Jacob Epstein’s sculpture of Esther and Bob’s reaction to it. This is part of Bob’s plan to brand the Esther sculpture as Walsall’s Mona Lisa. These boards will be displayed in the main hall of the Garman Ryan Collection from October and I genuinely cannot wait to see it up there. Enjoy the pictures below…
We created some stop motion films of the residency, with some of Bob’s thoughts on the work….
As well as the small matter of making the See Esther work, Bob also made some posters for the promotion of the Freshly Squeezed event at the gallery (Thursday 10th June @ 6pm) and also the gallery generally. The latter poster is also part of Bob’s branding of Esther.
I’ve posted this video already, but I’m going to put it up again as it’s my favourite of all the videos we have created so far. Inspired by Telly Savalas’ ‘tour’ of Birmingham (which you can see here),we filmed this straight after Bob finished See Esther and he was in a very amusing mood. If you listen carefully, you can hear me snorting with laughter in the background. The theme tune comes courtesy of Dr CJ Freelove, a little known South American musician who exclusively writes 80s ‘This Morning’ style theme tunes.
The dust has settled…
Things couldn’t be more different in the Epstein Archive at the moment after the excitement of the Party! exhibition opening. It was great fun doing the performance of the Epstein puppet theatre with Bob – there was a great turn out and it seemed like other people enjoyed it too which was nice. Bob is not in Walsall again until May, where he is in residence in the Artists Studio every Wednesday, Thursday and Friday throughout the month. Who knows what will happen, but it’s going to be good. Between now and then there is going to be lots and lots of cataloguing on the go. The archive is taking shape nicely, all of the letters to Jacob Epstein and almost all of the letters to Kathleen Garman are now catalogued and searchable online – you can find the catalogue here. This is a pretty long process, but thankfully our small band of intrepid volunteers, Jonathan Kelham, Ellie Matthews and Lesly Pritchard, are helping me with the catalouging.
Seeing as it’s Friday, let’s relive a few songs from the Party! opening courtesy of The Ken Ardley Playboys. I think you will agree that I won The Epstein Quiz (the very loud voice next to camera).
Ken Ardley Playboys, Window Box, Party!
I am extremely excited about playing with the Ken Ardley Playboys at the Party! show next week. The Apathy Band and some of the Ken Ardley Playboys played in Pescara Italy just after we finished the window installation for the party show last week. The window installation is the largest and most involved art work we have made so far involving images and objects from the Garman Ryan Collection; see the video below. It is inspired by some very touching photo’s of Esther at a party she must have organized for Roland Joffe when he was six or seven in our version of the party at the Epstein House things have gone rather crazy and busts by Epstein have be festooned with silly string and streamers. I find the party photos very moving.
They are an insight into the personal lives of the Epstein’s. Because Kathleen does not appear in them I suspect they are her eye view of proceedings. Perhaps when people look through the portholes of the window box installation for a brief instant become Kathleen. Neil has made a wonderful job of representing our efforts so far in the Archive Gallery in the Garman Ryan Collection. He has edited the films we have made so far with ‘Pathe’ footage of Epstein. It makes for a very effective 45 minutes of film. Hales Gallery in London are interested in organizing a screening of the film. It’s always enjoyable working behind the scenes of the Gallery. Neil and I are very much involved with one aspect of the Gallery but as we were working last week I was amazed at what a cultural centre The New Art Gallery Walsall has become. During most week days the Gallery is filled with school kids. Unlike most middle aged gallery goers I don’t mind a few kids running about. When I was a student I lived in Italy. The use of museums in Italy as Educational tools is far more advanced. Because so much of what it means to be Italian resides within the museum they jam them with kids. The New Art Gallery Walsall is doing a great job of reflecting how culture is developing while showing where its roots are.
Happy Birthday. 10 years old this month.







Comment > Posts Tagged ‘epstein archive’