My Russian Binocular rage and Eppy Daddy Battle Bot
It’s been a while since my last Epstein Archive entry, so I thought it best to give you a little update. As you may have seen, I had a ‘moment’ the other week (which can be viewed here) but I’m ok now. Fully calmed down. That whole thing started quite a few months ago when Bob and I were going through a load of miscellaneous items in the archive and some of it was, frankly, absolute rubbish. I know the archivist is supposed to remain impartial about the subjective value of any item, but if anyone requests a research visit to view Beth Lipkin’s hoover warranty, I will eat my shoes.
Anyway, I was having a bit of a moan to Bob about it all and one particular item, an advert for Russian binoculars, was, I thought, a totally pointless thing to keep. From then on, ‘the Russian binoculars’ became a bit of a buzz word for anything rubbish, or anything that irritated me – not that I’m a particularly irritable person or anything. And, eventually, the film was born.
But now, after some time has passed, the advert for Russian binoculars has taken on a whole new meaning – I wouldn’t dream of speaking ill of this little newspaper clipping now. It has relevance because we gave it relevance. I think that’s one of the most interesting things about having an artist involved in a collection – really unexpected connections and items can come to the fore.
So, to Bob’s residency. I spoke to Bob a few days ago and his latest creation, Eppy Daddy Battle Bot, is being built as we speak in Bob’s new studio is Ramsgate. Eppy Daddy Battle Bot is a reimagining of Jacob Epstein as a 5 metre high 1950s style robot. We’ll collect him just before the residency and then you will see the final stages of Eppy Daddy’s creation in the Arists Studio during the last two weeks of September.
If Eppy Daddy were to speak – what would he say? Answers on a postcard.
Bob and Roberta Smith residency
The second episode of Bob’s residency at the gallery. The 3rd will follow soon…enjoy.
New artists’ books…
Our collection of artists’ books in the library is slowly developing -i’ve added a few new editions this week:
Me, Myself and I by Kelly Large is a book of transcriptions documenting three open studio afternoons that the artist organised as part of her residency here at the gallery in January 2008. Kelly invited various people she had previously worked with to give a presentation about their understanding of her practice. The book explores the notion of the artist-in-residence and Kelly’s practice within this context, the artistic process and audience participation. Kelly has produced three copies of this book for the Gallery; one for the Library to be used as a resource, one to be acquisitioned as an artwork in the collections, and one as a document for the Gallery archives.
I’ve picked up a few other artists’ publications this week:
I bumped into Robin & Harry of An Endless Supply who were handing out their latest issue at the Ikon preview. They’ve upgraded their paper and have a new printing press, so it has a slightly more luxurious feel to it!
At the Eastside Projects Abstract Cabinet Show opening last night Freee were handing out copies of their 2nd Manifesto The Free manifesto for Guerilla Advertising (After the Revolution) -an inspiring read on my way to work this morning!
Also featuring in this exhibition is the collaboration between Laureana Toledo and John Taylor (yes that’s right, John Taylor of Duran Duran!) to produce a film and a newspaper exploring both Birmingham and Mexico City.
Eastside Projects and An Endless Supply will be taking part in Publish and be Damned this weekend. I went to this last year -well worth a trip to London if independent publishing is your thing.
Comment > Posts Tagged ‘artists’ studio’