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bara brith

today outside in was truly lunched and launched. it was brilliant meeting you all, playing marbles, losing marbles, regaining them, baking bara brith with bobby baker (recipe for bara brith below) and generally talking, launching, thinking, feeling, discussing, listening and munching. thanks again for all yr thoughts and support

bara-brith.
soak 10 ounces of any dried fruit with two cups of hot tea
(feel free to try different teas – e.g. lapsang souchong for smokiness or earl grey for bite)
cover and let stand overnight
strain the fruit, saving the liquid
add 3 ounces brown sugar and the grated rind of a lemon to the fruit
add 2 teaspoons of spices – any combination of cinnamon, nutmeg, ginger, allspice to this
now add one egg and 12 ounces of self-rising flour to the fruit mix
finally add small amounts of the saved tea until the batter has a soft, dropping consistency
pour into a greased 2 pound loaf tin and bake at 180c for 45-55 minutes until firm to the touch (reduce this time for fan-assisted ovens)
enjoy warm with butter

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YINKA SHONIBARE CREATES A WORK FOR CAMPAIGN AGAINST CUTS

A striking new work by Fourth Plinth artist Yinka Shonibare was unveiled today as part of the campaign supported by over 100 leading British artists against the government’s proposed funding cuts of the arts.

The artist’s work shows a slash across a piece of brightly coloured African fabric for which the artist has become well known with the caption: “Stop Cutting”.

Yinka Shonibare MBE has become well known for work that explores issues of race and class through the media of painting, sculpture, photography and, most recently, film. He was a Turner prize nominee in 2004 and he was awarded an MBE, a title that he has added to his professional name. His commission for the Fourth Plinth in Trafalgar Square, Nelson’s Ship in a Bottle, was installed in May this year and in June his major new public art work covering the gable end of a thirteen-storey tower block, commissioned by the South London Gallery to celebrate their expansion, was unveiled in Camberwell.

Each week the work of a different artist, created in response to the campaign, will be released. The campaign was launched 10 September with a new video by David Shrigley and a campaign poster by Jeremy Deller, Scott King and William Morris. This was followed by a new work by Mark Wallinger.

Supporters of the artists’ campaign are being asked to sign a petition which will be sent to the Culture Secretary, Jeremy Hunt. It points out that it has taken 50 years to create a vibrant arts culture in Britain that is the envy of the world and appeals to the government not to slash arts funding and risk destroying this long-term achievement and the social and economic benefits it brings to all.

The artists acknowledge that reasonable cuts and efficiencies are necessary but
they fear that the 25% cuts being proposed will destroy much of what has been achieved and will have a particularly damaging impact on national and regional museums and their collections.

The campaign is being organised by the London branch of a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in the UK.

Full petition details on:

http://www.savethearts.org.uk

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Fierce Festival presents Interrobang 2: Relationships (Black Country)

Fierce Festival presents
Interrobang 2: Relationships (Black Country)
Friday 24 – Sunday 26 September 2010
www.wearefierce.org

The Interrobangs are a series of events in which we discover different parts of the West Midlands, connecting with artists working there and people living there. For this September’s Interrobang we have been exploring the Black Country and thinking about Relationships – between people and place, between artists and audiences – and thinking about how the Black Country (it’s people, places and history) has informed and inspired different artists.

The Interrobangs are also a place for artists developing work to be shown in the next Fierce Festival (in February 2011) and for artists currently engaged in Fierce’s Arts Council funded Platinum artist-practitioner development scheme to share some of their process and thinking through work in progress performances and sharings.

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MARK WALLINGER CREATES NEW WORK FOR CUTS CAMPAIGN

A new work by Turner Prize-winning artist Mark Wallinger is released today as part of a campaign supported by over 100 leading British artists against the government’s proposed funding cuts of the arts.

Mark Wallinger’s work shows a copy of Turner’s masterpiece, The Fighting Temeraire, 1839 by Joseph Mallord William Turner, in the collection of the National Gallery in London. A slash in the painting carries a notice “25% cut” and underneath the work a caption reads: “If 25% were slashed from arts funding the loss would be immeasurable.”

Turner referred to The Fighting Temeraire as “his darling”, refusing to ever sell it until he finally donated it to the National Gallery. When the nation was asked by the BBC to nominate the greatest painting on show in the UK’s museums and galleries it came first with 25% of the votes.

The title of Mark Wallinger’s new work is “Reckless”. He explains: “I describe the cuts as a reckless adventure. In fact temeraire means reckless in French and by removing the obsolete ship from the scene I am rendering the painting wreckless.”

Each week the work of a different artist, created in response to the campaign, will be released. The campaign was launched 10 September with a new video by David Shrigley and a campaign poster by Jeremy Deller, Scott King and William Morris.

Supporters of the artists’ campaign are being asked to sign a petition which will be sent to the Culture Secretary, Jeremy Hunt. It points out that it has taken 50 years to create a vibrant arts culture in Britain that is the envy of the world and appeals to the government not to slash arts funding and risk destroying this long-term achievement and the social and economic benefits it brings to all.

The artists acknowledge that reasonable cuts and efficiencies are necessary but 
they fear that the 25% cuts being proposed will destroy much of what has been achieved and will have a particularly damaging impact on national and regional museums and their collections.

The campaign is being organised by the London branch of a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in the UK.

Full petition details on:

http://www.savethearts.org.uk

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still alone in her voices

still alone in her voices. wicked! i’m writing in charcoal up the whiteboards in the gallerys corridor – charcoal over and over all those -ve mental health words and phrases – technically normal / treatment resistant / personality disordered etcetera – and theres a school in watching me and wow, cool is the response. later i’m erasing with putty rubbers a message reclaimed from this – still alone in her voices. its from my ongoing responses to yannis ritsos monochords, this one is #137 – talked down from the high parapet, still alone with her voices – and the response is wicked!

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ARTISTS JOIN CAMPAIGN AGAINST FUNDING CUTS

Over a hundred leading artists including David Hockney, Damien Hirst, Anthony Caro, Howard Hodgkin, Anish Kapoor, Richard Hamilton, Bridget Riley, Antony Gormley and Tracey Emin have joined the campaign to make the case against the proposed 25% cuts in government funding of the arts.

The campaign is launched today with the release of a new video animation by artist David Shrigley highlighting the effect of the funding cuts and a new work by Jeremy Deller with Scott King. Each week the work of a different artist, created in response to the campaign, will be released. Mark Wallinger will present the next project.

Supporters of the artists’ campaign will be asked to sign a petition which will be sent to the Culture Secretary, Jeremy Hunt. It points out that it has taken 50 years to create a vibrant arts culture in Britain that is the envy of the world and appeals to the government not to slash arts funding and risk destroying this long-term achievement and the social and economic benefits it brings to all.

The artists acknowledge that reasonable cuts and efficiencies are necessary but
they fear that the 25% cuts being proposed will destroy much of what has been achieved and will have a particularly damaging impact on national and regional museums and their collections.

The campaign is being organised by the London branch of a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in the UK.

Please visit the Save the Arts website (including links to Facebook, Vimeo and Twitter) and to sign the online petition, www.savethearts.org.uk

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CALL OUT FOR ARTISTS FOR LIVE ART SPEED DATE

Live Art Speed Date 25th September As part of Fierce Festival, London based art collective Stoke Newington International Airport present a new concept in intimate performance and live art curation. 20 artists and performers will take over the venue to perform individual ‘Dates’ to 60 audience members over the evening. The ‘Dates’ are presented as a vibrant fairground of private encounters between artist and audience. Each date is 4 minutes long, designed for an audience of one. Artists are asked to submit proposals for a repeatable, four-minute long intimate encounter. There will be a workshop in the space on the 23rd Sept (TBC) Concept:
• A four minute long encounter, date or meeting for an audience of one.
• The ‘Date’ should relate to intimacy, privacy, the encounter and status.
• The date should experiment with the opportunity of being so close to, and alone with the individual audience person.
• Performances will take place in a private booth, or at a table
• These are guidelines and a starting point, we want the artists to feel free to interpret them.

Don’t be afraid to go that little bit too far. Intimacy is a powerful thing, and not to be wasted. This is a fantastic opportunity for artists who want to:
• Experience and explore the one-on-one performance concept
• Test out new fragments of ideas
• Widen networks
• Try something new!

LASD has been produced at the Dublin and Edinburgh Fringe, Arcola Theatre, Camden People’s Theatre, STK, Bristol Old Vic, and SuperDelux in Tokyo. For examples please see www.stkinternational.co.uk/STK/LASD.html

For more information or answers to questions please email info@stkinternational.co.uk Also check out the BAC’s recent one-on-one festival www.bac.org.uk

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yu cannot measure music, art – only medicine


yu cannot measure music, art – only medicine. this is my response to yannis ritsos monochord # 69. (to be measured : music, bread, knife in paul marchants 2007 translation). first thing i charcoaled up the walls ov the studio this time around. yu cannot measure music, art – only medicine. i can live with that

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The Garman Ryan Collection and the Epstein Archive

A big few weeks for the Epstein Archive as we have been installing framed items from the archive in amongst the Garman Ryan Collcetion. We’ve done this to give the collection a bit more context and to embed the archive further into the gallery as a whole. In total, we have 10 items from the archive displayed alongside relevant works of art from the collection. What sparked this off was a fantastic little note in the archive from Sally Ryan to Kathleen Garman. Sally had just bought a Bonnard oil painting, La Seine a Vernon (The Seine at Vernon), and gave it to Kathleen as a gift, along with the hand delivered note that we still hold today. It was with this in mind that Jo Digger and myself sought out 9 more items from the archive that could complement the Garman Ryan Collection and we are really happy with the results.

So, from today – you’ll notice some cupboards on the walls on floors 1 and 2 of the gallery. The archive items are behind cupboard doors to give visitors a bit of the same feeling of discovery that I’ve had over the past 12 months. From a conservation point of view, the cupboards are great for protecting the material from light damage when they aren’t being viewed.

We also have a new introductory leaflet to the Garman Ryan Collection that reflects the inclusion of the Epstein Archive and shows the locations of all of the cupboards.

So, come along and let us know what you think…

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Supersonic needs YOU!

Capsule’s internationally renowned experimental music/arts festival runs 22nd to 24th October 2010 and there’s plenty of opportunities to get involved as a volunteer. The festival is small enough for everyone involved to gain not just an overview of how the festival works, but to give real value and be part of a dynamic team.

We need a team of volunteers to help deliver the festival over the weekend of the event itself – we are looking for people to work over the festival weekend 22nd -24th October and in the run up to Supersonic from early October onwards. We expect a minimum of 12 hrs over the festival period in exchange for a weekend wristband.

In addition we are looking for professional quality photographers to help us document the festival

How to apply:
To apply send an email to volunteer[at]capsule.org.uk
Mark in the SUBJECT of the email VOLUNTEER or PHOTOGRAPHER

We will send you an application form, which you need to fill out and email back to us before the deadline which is the 21st September. There will then be a meeting on the evening of the 22nd of September to find out more about the festival and to meet the team.

Please note, unfortunately we can only receive applications from people over 18 years of age.

For further info about the festival check: http://www.supersonicfestival.com

Please feel free to spread the word.