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The Go Between

Hi, i’m Cheryl, Library and Collections Supervisor at the Gallery.

Just thought i’d let you know about a conference I attended in Cardiff last week all about Artists as ‘Go Between’, in other words artists acting as a mediator between collections and audiences. This is obviously particularly relevant to us with the Epstein Archive project Neil and Bob collaborating on.

Many presentations were given about projects where artists had worked with museum collections to create new artworks, exhibitions and events. There were many different types of project, for example artists placing their own work alongside objects from museum collections, inviting the public to partcipate in making direct responses and new archives, or completly changing the methods of display within the museum.

Highlights included Manchester museum’s Alchemy project, in particular the Manchester Hermit Ansuman Biswas; and The Uncanny Room at Pitzhanger Manor-House.

There were also papers given which brought up potential issues with this type of project, and several question raised, such as:
why has it become the burden of artists to enliven collections?
Is the artist really better at communicating to the public than existing museum staff?
Is the artist’s work comprimised or hindered by the limitations inevitable in working with an institution?
Are our collections in danger of being mistreated by untrained handlers?
Is this all just about the number of people coming through the door of the museum?

These questions are all food for thought, but each person who presented a working example, whether they were artists or institution professionals, reported a positive experience for all parties concerned. However, the conference could have done with some representation of the audiences and public participants to ensure a balanced view.

I still came away from the conference believing that these projects are a fantastic way of introducing people to collections that they may not otherwise ever come across. Artists can bring a fresh set of eyes to the often overlooked parts of a collection, and through a good dialogue with the collection experts within the museum, they can bring their own practice to the table to create innovative methods of interpretation.

I have a copy of The Go Between (Vol 1) available the library which contains some of the papers presented at the conference.

It would be interesting to know what your thoughts are…